LIMITED EDITION FINE ART PRINTS
— Exclusivity and collecting —
LIMITED EDITIONS AND HIGH QUALITY MATERIALS
In the field of fine arts it is of the utmost importance to know how to enhance your shots with high quality and resistant materials.
The fine art paper used is of a museum nature and gives a much higher quality and resistance than normal common photographic papers, undoubtedly representing an added value to photography.
The choice of paper, for my kind of works, represents a key element just as important as the shooting technique or the meticulous post-production.
In the field of fine arts it is of the utmost importance to know how to enhance your shots with high quality and resistant materials.
The fine art paper used is of a museum nature and gives a much higher quality and resistance than normal common photographic papers, undoubtedly representing an added value to photography.
The choice of paper, for my kind of works, represents a key element just as important as the shooting technique or the meticulous post-production.
La caratteristica particolare di questa carta, in unione ad uno stile personalissimo di editing, è che, in base alla diversa luce ambientale, la resa dei colori dell’immagine cambia, donando alla fotografia un’anima propria.
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The peculiar aspect of this kind of paper, in combination with a very personal editing style, is that, according to different environment light, the color rendering of the image changes, giving the photograph a soul of its own.
Anche la scelta della cornice è mirata, in questo caso una cornice in alluminio con trama simil legno in nero opaco riprende perfettamente il tipo di carta ed il buio della fotografia, oltre a conferire al contempo una considerevole resistenza ed eleganza.
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The choice of frame is well pondered, aimed at merging with the picture. In this case, an aluminum frame with wood-like texture in matt black perfectly matches the type of paper and the darkness of the photograph, as well as conferring considerable resistance and elegance at the same time.
TIRATURE E MISURE
EDITIONS AND SIZES
All the works are limited edition. After these ones , they can no longer be produced in that format.
This is to ensure absolute exclusivity for owners as well as to safeguard the collecting aspect.
As a guarantee, a certificate of authenticity with artist and print studio sign, with matrices attributable to its uniqueness, is issued with each work.
Ogni singola opera ha la seguente tiratura e dimensione in base al formato a cui appartiene:
Foto con formato classico 3:2 prevede una tiratura di 14 pezzi divisi nelle seguenti misure :
100 x 66 cm
165 x 110 cm
Foto con formato più grande 4:3 prevede una tiratura di 14 pezzi divisi nelle seguenti misure :
120 x 90 cm
180 x 135 cm
Foto con formato quadrato 5:4 prevede una tiratura di 14 pezzi divisi nelle seguenti misure :
120 x 100 cm
180 x 144 cm
Foto con formato quadrato 1:1 prevede una tiratura di 14 pezzi divisi nelle seguenti misure :
100 x 100 cm
150 x 150 cm
Sono previste misure con proporzioni particolari per esigenze di composizione dell’immagine.
Every single photo has the following edition and size depending by format:
Photo with classic format 3:2 is composed of 14 editions divided in :
size 100 x 66 cm ( 39″x 26″)
size 165 x 110 cm ( 65″x 43″)
Photo with largest format 4:3 is composed of 14 editions divided in:
size 120 x 90 cm ( 47,25″x 35″)
size 180 x 135 cm ( 71″x 53″)
Photo with largest format 5:4 is composed of 14 editions divided in:
size 120 x 90 cm ( 47,25″x 39″)
size 180 x 144 cm ( 71″x 56″)
Photo with square format 1:1 is composed of 14 editions divided in:
size 100 x 100 cm ( 39″x 39″)
size 150 x 150 cm ( 59″x 59″)
Special proportions are provided for the composition of the image.
COSA MI RENDE DIFFERENTE ?
WHAT MAKES ME DIFFERENT?
Nowadays there are numerous photographers passionate about this genre.
We all see millions of images on instagram, the problem is that many, as long as they are seen small, do not seem to have particular defects.
But will those enlarged photos to be printed on paper, often in large format, have the same appeal? Will the details in the strongest lights and shadows be visible or will they be patches of black and white without information? What about sharpness?
Although the immortalized subjects may be fascinating, many do not care about the technical aspect, both in shooting and editing, focusing only on the sensationalist aspect of the subject or the emotional aspect.
But when you have to relate to the world of printing and the world of collecting, which is very demanding, you have to know how to transpose a digital element into a material product where the care of the physical product is as fundamental an element as the care in the shot.
My way of photographing, editing and printing photos is aimed at presenting a finished product taken care of in all respects… with the addition of a recognizable style and a well-defined artist statement.
And an aesthetically impactful product, in fine art style, suitable to be exhibited as an artistic object of furniture.
Al giorno d’oggi ci sono numerosi fotografi appassionati di questo genere.
Tutti vediamo milioni di immagini su instagram, il problema è che molte, finchè si vedono in piccolo, non sembrano presentare particolari difetti.
Ma quelle foto ingrandite per essere stampate su carta, spesso in grande formato, avranno lo stesso appeal ? I dettagli nelle forti luci e nelle ombre più marcate saranno visibili o saranno delle chiazze di bianco o nero privi d’informazioni? E la nitidezza?
Seppure i soggetti immortalati possano essere affascinanti, molti non si curano dell’aspetto tecnico, sia in fase di scatto che nell’editing, puntando solo sull’aspetto sensazionalistico del soggetto o sull’aspetto emotivo.
Però quando devi rapportarti al mondo della stampa ed al mondo del collezionismo, che è molto esigente, bisogna saper trasporre un elemento digitale in un prodotto materico dove la cura del prodotto fisico è un elemento fondamentale tanto quanto la cura dell’aspetto emozionale e dello scatto.
Il mio modo di fotografare, editare e stampare le foto è rivolto a presentare un prodotto finito curato sotto tutti gli aspetti…con l’aggiunta di uno stile riconoscibile ed un artist statement ben definito.
Ed un prodotto esteticamente d’impatto, in stile fine art, adatto per essere esposto come oggetto artistico d’arredo.
Nowadays there are numerous photographers passionate about this genre.
We all see millions of images on instagram, the problem is that many, as long as they are seen small, do not seem to have particular defects.
But will those enlarged photos to be printed on paper, often in large format, have the same appeal? Will the details in the strongest lights and shadows be visible or will they be patches of black and white without information? What about sharpness?
Although the immortalized subjects may be fascinating, many do not care about the technical aspect, both in shooting and editing, focusing only on the sensationalist aspect of the subject or the emotional aspect.
But when you have to relate to the world of printing and the world of collecting, which is very demanding, you have to know how to transpose a digital element into a material product where the care of the physical product is as fundamental as the care of the emotional aspect and the shooting.
My way of photographing, editing and printing photos is aimed at presenting a finished product taken care of in all respects… with the addition of a recognizable style and a well-defined artist statement.
And an aesthetically impactful product, in fine art style, suitable to be exhibited as an artistic object of furniture.
“La cura del prodotto fisico è un elemento fondamentale tanto quanto la cura dell’aspetto emozionale e dello scatto.”
“The care of the physical product is as fundamental as the care of the emotional aspect and the shooting.”
SPEDIZIONI / SHIPPING
There are two shipping methods.
The classical one previews that print is sent ready to hang, the photo is already climbed on on rigid dibond in aluminum and framed.
This is the preferable option when I can hand over the canvas in person or the customer has a way to transport the work himself.
The second method involves sending the print rolled up in a shipping tube, the photo must be framed later by the customer. I will provide all the details about the frame brand that I usually use that best suits my prints even if, obviously, the customer can mount a support to his liking. The assembly on dibond and framing are operations to be entrusted absolutely to a professional printer/ framer in order not to ruin the print.
Precisely for this reason I do not take responsibility for operations after the print arrival.
The second type of shipping is the one normally used on art marketplaces online for two main reasons:
1- In cases of very large prints like mine, it allows to save enormously because it is reduced both the volume and the weight. In addition, any costs should be added in wooden crates and packaging that would prevent the work from being damaged.
2- There is a greater risk that a work may be damaged in the journey.
Sono previste due modalità di spedizione.
La classica prevede che venga spedita l’opera finita pronta da appendere, la foto è già montata su dibond rigido in alluminio ed incorniciata.
Questa è l’opzione preferibile quando posso consegnare di persona un quadro o il cliente ha modo di trasportare lui stesso l’opera.
La seconda modalità prevede l’invio della stampa arrotolata in un tubo da spedizione, la foto dovrà poi essere incorniciata dal cliente. Fornirò tutti i dettagli circa la marca di cornice che uso abitualmente che meglio si addice alle mie stampe anche se ovviamente il cliente potrà montare un supporto a suo piacimento. Il montaggio su dibond ed incorniciatura sono operazioni da affidare assolutamente ad uno stampatore/incorniciatore professionista per non rovinare la stampa.
Proprio per questo non mi assumo responsabilità su operazioni sucessive all’arrivo della stampa
Il secondo tipo di spedizione è quello normalmente utilizzato su art marketplaces on line per due motivi principali:
1 – In casi di stampe molto grandi come le mie, permette di risparmiare enormemente perchè viene ridotto sia il volume che il peso. Inoltre bisognerebbe aggiungere qualsiasi costo in casse di legno ed imballaggio che impedirebbero all’opera di danneggiarsi.
2 – C’è maggior rischio che un’opera possa danneggiarsi nel viaggio.
There are two shipping methods.
The classical one previews that print is sent ready to hang, the photo is already climbed on on rigid dibond in aluminum and framed.
This is the preferable option when I can hand over the canvas in person or the customer has a way to transport the work himself.
The second method involves sending the print rolled up in a shipping tube, the photo must be framed later by the customer. I will provide all the details about the frame brand that I usually use that best suits my prints even if, obviously, the customer can mount a support to his liking. The assembly on dibond and framing are operations to be entrusted absolutely to a professional printer/ framer in order not to ruin the print.
Precisely for this reason I do not take responsibility for operations after the print arrival.
The second type of shipping is the one normally used on art marketplaces online for two main reasons:
1 – In cases of very large prints like mine, it allows to save enormously because it is reduced both the volume and the weight. In addition, any costs should be added in wooden crates and packaging that would prevent the work from being damaged.
2 – There is a greater risk that a work may be damaged in the journey.
